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BeatNik Exclusive Interview: Alfa – Simply Charming!

Every once in a while, this blog brings me in touch with some amazing artists I might never have had the chance to discover. The internet is a noisy place, and too many times we realize late in the game that our “new” favorites have been around for a quite a while.
Such was the case when I “discovered” Alfa – the beautiful, soulful and exceedingly charming singer-songwriter whose song and video for Blue left me slack-jawed and wanting more!
I was lucky enough to contact her personally and she kindly agreed to grant me this interview.
Blogging has its perks! 🙂

 

Make sure to give this interview some social love to read the entire piece and access the videos and additional images.

alfa
BeatNik: When did you start playing ukulele? 
Alfa: I taught myself ukulele in 2010, I believe. I was just curious about it, and thought it was a really cute instrument…not to mention, a little easier to carry around than my guitar or keyboard.
That is a beautiful instrument! Tell us a little about your Mya-Moe?
Thank you!  I love my Mya-Moe…it goes by its other name: “the uke of destiny.” J  It’s a tenor uke, with master grade koa on the entire body, mahogany neck, ebony fretboard with an abalone rosette. It has a direct pickup, which was a must for me…and a cutaway, so I can do some crazy high-register solos when I finally learn how.
Apart from the uke, I see you play guitar and a mean kazoo! What other instruments do you play?
I also play piano and violin.
Alfa - Photo by David Speranza
Alfa – Photo by David Speranza
You’ve recently moved to Los Angeles from New York, but you are originally from the Philippines, correct? Tell us a little about how you got where you are today.
Yes, I was born in southern Philippines, on the island of Mindanao. I started learning piano shortly after emigrating to New York and hated it at first. A lot of people in my family play music, so I didn’t think music was anything special and wanted to do something entirely different.  Like dentistry (seriously, I wanted to be a dentist when I was 5).  I got into the violin in 4th grade and absolutely fell in love. I played in some orchestras and got to tour a little as a kid, which was really fun for me. I started songwriting when I was 13, because I was going through a bit of an angst-ridden teenage phase and connected with a lot of music that I wanted to play. Eventually, though, I realized I couldn’t sing a lot of those songs I liked so I figured I’d make up my own songs instead!  So, I started songwriting and eventually got up the courage to record, and eventually got up even more courage to play in front of people, and pretty soon it was pretty obvious what I wanted to do with the rest of my life.  At least, it was obvious to everyone else…it took me a little longer to really figure it out. After graduating college, I decided to record my first full-length album, so I did that while I was working a full-time job as a journalist. I left that job 3 years later, moved to LA, and haven’t looked back since.
Where can my readers go to see you perform live? 
It really depends on my schedule… you can always see where I’m playing on my website, alfa-music.com.
Would you consider performing at some ukulele music festivals?

Of course! I’d love to play a uke festival. Although I’m sure I’d be in awe of everyone there… I still consider myself a ukulele noob.

(BeatNik: You heard it here first, folks! Who will start the festival invitations?)
How many songs on the new album feature the uke, and can we expect to hear more like “Blue” in the future?
It’s just “Blue” with the uke, and if you can believe it, it’s the first song I ever wrote on uke. Prior to that, I’d just been playing covers and adding them to my live shows to mix things up a bit. I was really happy that “Blue” came out of my uke.  It took about 15 minutes to finish it.
I heard you do a fantastic cover of Train’s “Hey, Soul Sister” in your concerts. What artists inspire your music? 

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Plenty… Sara B, Ingrid Michaelson, Regina Spektor, Fiona Apple, early Jewel stuff, Fiona Apple, Shawn Colvin, Joni Mitchell, Carol King, Camille… I feel like a big sponge that just kind of soaks in whatever I’m listening to.
 A lot of my readers are also aspiring musicians. What insights or advice would you like to pass along to them?
I remember sitting on an airplane and reading this quote from the in-flight magazine, “Do what you love; love what you do, and share your gifts with others.” Apparently Gustavo Dudamel said that… he’s a smart guy.
Thank you Alfa, you have been simply charming!

 

For those of you who are now entranced by Alfa, I offer some more images and her sensational video, Blue.

 

Enjoy!

 

-BeatNik
Alfa - Photo by Ted Kim
Alfa – Photo by Ted Kim

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Janet Klein Exclusive Interview

 I recently attended a standing-room-only performance of Janet Klein and Her Parlor Boys.

Their unique mixture of vintage songs and exceptional musicians, featuring ukulele, accordion, upright bass, guitar, banjo and an odd “percussion tree”, combined with Janet’s sweet voice and charming style, made it an evening that was lifted the audience and moved them. For the next hour and a half, I was transported to another time and place – was it 1908 Atlantic City, or 1928 Harlem? A little of both, perhaps, but definitely a place you wanted to stay – for as long as possible.
After the performance, I was time warped back to 2012, and had a chance to speak with Janet about what gave her this amazing ability to transport audiences and make them never want to come home again…
BeatNik: Tell me a little about Janet – where are you from originally? Local girl?
Janet: I was born is Los Angeles but grew up in the Inland Empire..the landscape seemed quite drab to me with the exception of the natural beauty of the desert, (I grew up under a natural wonder in the San Bernardino foothills.. there appears year round the image of an arrowhead on the mountainside),
and the old places there held such mystery for me… The Mission Inn, the Sycamore Inn, the Palm lined groves of oranges and Old California dream homes of the 1900s and 1910s in Redlands. I was close to my family, and got to know two of my great grandparents..my family fascinated me and I grilled them for stories that always lead back to New York in the 1930s and the “Old Country”.
I always say that San Bernardino was a good place to be an escapist.
What made you fall in love with the ‘2os?
I seek out touchstones of the past wherever I can…you don’t have to dig that deep to live life like an archeological expedition.
Almost everything that I am naturally attracted to leads me back to the early part of the 20th century. Art, photography, design, film, entertainment, music, architecture, objects, clothing, family history. You scratch the surface and there are wonderful aesthetic rewards and layers of history to get to know.
Tell us about your ukulele history. How long have you been playing?
In the 1980s and 1990s I was doing performance art and poetry recitations. I have a fine art background and although I thought of myself as a painter, I had fantasies of being a fancy chanteuse and of expressing myself with a hankie and candelabra and had to find ways to accommodate that.
I started to incorporate musical aspects to my poetry. To me poetry is about thinking SMALL, it’s a process of polishing up something gem-like, and if it’s good…”small” can be mighty.
I added triangle at first and then picked up the ukulele in 1995. I had been collecting recordings of music from the 1920s and realized that I could make these tunes my own, or at least share them with others through the ukulele. For a while I would insert just a song or two into my poetry readings. I started to meet my wonderful band-mates around 1998. It was like being Dorothy on the Yellow Brick Road… I met all these great characters one after the next and the band materialized.
Who has inspired your performance? Fanny Brice? Josephine Baker?
I like to think that all the things that you admire become part of who you are, like an extra genetic code…
I have a long list of performers I adore. You certainly named two. Here’s more: Lotte Lenya, Fred Astaire, Blanche Calloway, Lil Armstrong, Mae West, Gracie Allen, Adelaide Hall, Ruth Etting, Nina Mae McKinney.
How did you manage to get the great Ian Whitcomb to be one of your “Parlor Boys”?
Our mutual friend Jim Beloff was on a quest to revitalize the ukulele around 1999 or 2000.. (I think he succeeded!) and was putting together shows featuring “ukulele artistes” at McCabes ( a neat LA venue), called “Uketopia”. Ian and I hit it off and found ourselves playing on the bill together a number of times and I invited him to come play with me and he’s been a distinguished Parlor Boy ever since. Lucky me, that he fits me into his schedule besides being a band-leader, author, radio show host, etc., etc.
Your songs are fantastic and obviously quite obscure – where do you find such interesting tunes?
Everywhere I can! Old films, sheet music, 78 record collectors, music and movie and animation historians, preservationists, and relatives of composers and lyricists.
My favorite thing is visiting with collectors and having 78 rpm listening sessions… that’s the best! When I started to become interested in the old music, pre-1940s, it was very difficult to find. I used to haunt the music library at UCLA. Pre-internet, finding sources of any kind, just locating the small record labels compiling this type of material took years!
Anything exciting lined up in the near future we should know about?
We are preparing to record our 8th CD and at the same time working on ideas for making some musical film shorts with the band.
I recently compiled some wonderful artistic treasures from my family onto DVD and presented them on a big screen at the Steve Allen Theater, including my grandfather Marty Klein’s magic act from the 30’s & 40’s,

Marty Klein

entitled “Ten Minutes with Ten Fingers” as well as experimental animations by my father and mother, Stephen Klein and Marion Klein, and also a couple of our own film shorts. Now that we’ve digitized these things, I am hoping to make a DVD with the Parlor Boys of shorts in the style of the mid-20’s Vitaphone films, mixed with live concert footage and musical animations.

We haven’t set a date yet, but I am hoping to  get some Parlor Boys together and head back up to the Niles Essanay Silent Movie Museum up in Fremont, California to help celebrate the 100th anniversary of the Essanay Silent Movie Studio.
Thank you Janet for your time, talent and for taking me on a musical journey I won’t forget!
To learn more about Janet, her schedule and pick up some CDs of her music, check out her website at http://www.janetklein.com!
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Jim D’Ville Interviews BeatNik

Jim D’Ville, renowned ukulele coach and “play by ear” training expert took some time out of his busy workshop tour to sit down and ask me a few questions on his blog.

Play Ukulele By Ear Website
Click Here For Interview

Here are the three he asked me:

1. What is the premise of the Speak Ukulele Course?

2.‬ What is the difference between learning the “right way” and the “wrong way”?

3. What is the Ultimate Ukulele Tab Book?

Check out my long-winded answers at Play Ukulele By Ear!

After the interview, make sure you check out the rest of Jim’s website – he even offers a virtual workshop through the power of skype!